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Solution 2
📚 Related Questions
Answer:
ABA
Explanation:
The ternary form also kown as the music form is the style of writting where you have three stanzas, where your first stanza is A and then is followed by a B stanza, and then repeat the A, it´s ABA and it is most commonly used in music, the third section it´s not exactle the same, but it´s a variation of the first one, they often have the same rhyme scheme and the same tone, while the middle part often is different frmo the other two in rhyme scheme and tone.
ABA is Rondo Form.
When the B theme is the same tonality as the A theme that's called Theme Variation Form.
AABA is Ballad Form
When a theme is characterized by stanzas it's called Stanza Form.
consonance and dissonance are categorizations of simultaneous or successive harmonic sounds that produces vibrancy and balance. Despite the contrasting tones of each, these two produce harmonious balance which in turn creates a symphony.
Answer:
true, brainliest maybe?
Explanation:
Answer:
Since the commencement of western idea, various savants and incredible scholars have battled with what is known as The Problem of Evil.
Explanation:
Various compelling logicians have set the contrariness between the presence of God and the presence of shrewdness. Various theists have protected their concurrence.
Previous Oxford teacher of Philosophy J.L Mackie berated the theist by endeavouring to uncover their contentions as invalid and unpersuasive.
Answer:
All of them
Explanation:
Renaissance artists used all of these techniques in their art.
Giotto di Bondone used the technique of proportions. True linear perspective was formalized later, by Filippo Brunelleschi and Leon Battista Alberti.
Leonardo da Vinci, and refers to a fine art painting technique of Sfumato.
Chiaroscuro was a technique which came into wide use in the Baroque Period was also used in Renaissance art age.
Renaissance artists also used shapes and lines to arrange figures into a triangle on the surface of a painting for both hierarchical and compositional reasons which shows pyramid configuration of art.
sorry, let me know if i'm correct and/or i helped :)
Peacocks and the birds symbolize in the silk painting is the homage of the court officials to the emperor. The correct option is (c).
What is silk painting?
Silk Painting is an asian painting in which painting is done on the silk fabrics by using dyes or textile colours.
The Silk Painting of Peacocks and birds were the honour and respect to the given to the emperor by the court officials who were appointed by the king. These officials belong to the elite class and were nobles.
Thus the correct option is (C).
Learn more about asian paintings here:
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Answer:
Kazimir Malevich (1878-1935)
Explanation:
It is a painting based on flat geometric shapes, without any concern of representation. The main elements are: rectangle, circle, triangle and cross. It is considered the first systematic school of abstract painting of the modern movement.
Its development was started around 1915 by the painter Kazimir Malevich. In 1918, at The Target in Moscow, Malevitch exposed the Black Square on a White Background.
The movement's manifesto, From Cubism to Suprematism, signed in 1915 by Malevitch and the Russian poet Mayakovski, advocated the supremacy of sensitivity over the object itself. What was essential was sensitivity in itself, regardless of the source of origin.
When the manifesto was published, Malevich was already an important artist, having participated, with cubofuturist works, in the collective shows of the group Der Blaue Reiter (The Blue Knight) in Munich, and the Donkey's Tail in Moscow, both in 1912, the latter being conceived as the first conscious break of Russian artists with Europe and the affirmation of an independent Russian school.
The aesthetic of Suprematism presents:
- the appearances of the outside world do not arouse the slightest interest; the essential is the sensibility itself, for the eternal and authentic value of the work of art lies only in the expression of pure sensibility; the object itself is worth nothing;
- minimum plasticity, shape and color to achieve maximum projections, symbolic transfigurations or illuminations;
- fluidization of colors to achieve immateriality, make the design subtle and delicate;
- the need to give feeling a pure supremacy, without representation of the outside world, which is achieved through the figures of plasma geometry: rectangle, circle, triangle and cross.
The main exponents of this movement were the artists:
- Kazimir Malevich (1878-1935)
- Wassily Kandinsky (1899–1944)
- Piet Mondrian (1872–1944)
- Vladimir Vladimirovich Maiakovski (1893-1930)
- El Lissitzky (1890-1941)
- Lyubov Popova (1889-1924)
- Jean Pougny (Ivan Puni) (1892-1956)
- Aleksandr Ródtchenko (1891-1956)